Archive for the ‘ Twitter ’ Category

Shifting social TV for those without Cable

Social TV for cable cuttersIn Cannes recently, a number of top execs gathered to learn everything there is to know about social television – the act of adding the social networking experience to TV watching. Think: adding a hashtag to your live event.  Twitter UK’s top exec told the attendees that social television is happening, whether they want it to or not.  This is true, but maybe the focus should shift slightly.

As the industry works to better personalize the broadcast experience for its viewers, from adding full length content on their own websites to selling their catalogue rights to Netflix, there will be an increased marketing challenge to help audiences find their programs. Why? Because for those of us without cable,  it’s challenging to know what shows to watch because there’s no lead-in from a top rated show, or because programmers are selling preroll ad spaces to legitimate companies, not filling it with in-house advertising to promote their latest show (for the most part).

I find my shows by listening to podcasts, reading tweets (beyond a Get Glue check-in), or overhearing what colleagues are watching. I’m more compelled to watch a show when I see most people on my Twitter feed are tuned in versus seeing a big box ad for the program.  In fact, seeing everyone watch a program live makes me twinge a little for ye olde days of cable because there’s a community building on social media I can’t be a part of because I can’t see the show. I’m missing out.

So, how do you do start a social TV campaign?

- take part in some social listening. What are people saying on Twitter or Facebook about you? About your competition? Gather the data and think up a fun angle to build a community. There are free and paid-for ways to gather this type of data, from Google Alerts to customized packages.

- don’t ask your coordinator to handle your social TV just because he/she is always on Facebook. Hire a professional and check their credentials. Have they created a social media campaign before? Do they understand and take part in social TV?

- Don’t rely only on Get Glue, Miso or other social TV check-in sites. They’re good for creating a reminder to watch, but take the community to the next level now that you know they’re tuning in.

- Let the conversation happen organically – viewers can sense a fake tweet from a mile away. If your staff is writing tweets to support your program, be 100% transparent.

- Concerned about people revealing spoilers? Those without cable are used to hearing the ending of shows – doesn’t mean we’re not going to still watch it. In fact, sometimes letting your fans leak the spoilers results in more people watching.

- Keep your fans interested by holding fun hashtag games on Twitter. Ru Paul’s Drag Race asks its fans to come up with ’70s drag names between broadcasts, for example.

- Don’t rely on contests to build your community. People who enter contests tend to jump in and out without full engagement. Make it rewarding to talk about your show with retweets and engage them in conversations.

Any other tips? Let me know in the comments.


How to Correct Social Media Errors

This is a great article from PBS’s MediaShift on how to correct mistakes on social media.

MediaShift . How to Correct Social Media Errors | PBS.

Quick overview:

- Neither Facebook or Twitter offer a suggestion on how correct a poorly written post. Pundits suggest these services, or a third party app, need to create a functionality that lets users correct errors and notify anyone who retweeted the erroneous message (great idea for budding API developers!)

- Google+ allows users to edit posts and lists the date and time of the change.

Made a mistake? Best practices include:

- capture the error with a screengrab

- acknowledge the mistake and reference the error

- send tweets and messages to let those who shared or retweeted the error

If your social media mistake is offensive to some readers, and/or potential brand damaging, read this about Kenneth Cole’s rebound, and this, about Bing’s approach.

 


The web in 60 seconds

60 Seconds - Things That Happen On Internet Every Sixty Seconds
Infographic by- Shanghai Web Designers


A Lesson on Social Media Damage Control, Take Two

During the protests in Egypt, designer Kenneth Cole was given a strong lesson in how not to use recent events on Twitter to self promote, and thanks to some quick actions and ownership of his mistake, recovered. Now Microsoft may need to look to the designer for some damage control lessons.

After the horrible earthquake and tsunami in Japan, Microsoft’s Bing search engine posted a ‘retweet’ challenge – they will donte $1 for every @bing retweet up to $100,000 for quake victims.

Oops. Backlash started pretty quickly as people accused Microsoft of using the disaster to promote their search engine and their “corporate citizenship” page, which shows how Microsoft is helping Japan.

Meanwhile, Bing’s competitor Google created a popular people finder for those trying to find friends and relatives in the disaster, and released their satellite images to help resources on the ground find those in the most amount of danger. No retweet challenge or marketing plan needed because these services are worthwhile and deployed during times of need.

Bing’s Twitter team later apologized for their tweet, claiming their intention was to make it easy for people to donate to the cause. Their original tweet, however, was not deleted and continues to be retweeted, even by Bing’s celebrity spokespeople like Ryan Seacrest. In other words, this marketing plan continues despite admitting to an error.

You may remember something like this happened only a few weeks ago when designer Kenneth Cole tweeted inappropriately that the protests in Egypt were actually people excited about his new collection. He quickly recovered from this by owning up to the mistake, removing the original tweet and stating it was his personal error. No excuses.

How can Microsoft recover?

- delete the RT challenge tweet

- add “how to donate” to their Bing homepage

- use their expertise to create a tool that helps the cause

Is this a marketing fail by Microsoft, or just a misguided attempt to raise awareness of how to donate funds to the cause? How else could Microsoft help? While you’re thinking of this, please also consider donating as there’s nothing worse than analyzing a company’s $100K donation when you haven’t given anything yourself.

How to donate:

Canadians wishing to help support relief efforts underway are encouraged to contribute by:

  • Donating online
  • Calling 1-800-418-1111
  • By texting the word ASIA to 30333 to make a one-time donation of $5*
  • By contacting their local Red Cross office. Cheques should be made payable to the Canadian Red Cross, earmarked “Japan Earthquake/Asia-Pacific Tsunami” and mailed to the Canadian Red Cross National Office, 170 Metcalfe Street, Suite 300, Ottawa, Ontario, K2P 2P2.

Americans can donate: text REDCROSS to 90999 to make a $10 donation

 

 

 

 

 

 

 


Memolane preserves your social media history

It’s difficult to maintain a content history of your social media activities in an online world. Memolane aims to preserve your virtual life. I just received my invitation to sign-up and so far, it’s impressive.

Memolane – Your time machine for the web from Memolane on Vimeo.

What’s great, I found, is not only the ease of use, but also the privacy options. I looped in my Facebook, Twitter and Foursquare accounts and had an option to choose whether I wanted my timeline public to all users of Memolane, visible only to friends who’ve signed up, or completely private.

What’s also neat is it provides an actual, visual timeline of my activities and how my posts online have increased since 2007, from one post a day about 3 years ago to about 10 or so today.

The site is currently in beta, so you’ll need to sign up for an invitation. Worth it, I say.


A Lesson on Social Media Damage Control by Kenneth Cole

Oh dear. So, earlier today I was alerted to a tweet posted by the clothing design clothing company, Kenneth Cole.

I shouldn’t NEED to explain why this was in poor taste today, less than 24 hours after peaceful protests turned violent. But I just did.

Given the amount of outrage this tweet caused, Kenneth Cole took responsibility for the mistweet in an apology on Twitter and then on the company’s Facebook page.

His damage control was swift:

1. He apologized personally and took responsibility. Though his initial tweet says “we weren’t intending to make light,” he later clarified in a further tweet that his “joke” didn’t come from an employee at Kenneth Cole, but from him personally.

2. His team isn’t countering the negative comments with excuses on why it happened.

Yes, this tweet was in poor taste and some comments even accuse the company of posting something controversial for free publicity (forgetting, of course, this is a fashion company), but there but for the grace of God go I, people. Here are some lessons we can all take away from this:

-  Once you post something online, it never goes away. @kennethcole deleted the original tweet, but I found it easily.

- If you schedule your tweets, it’s probably best to not schedule upcoming posts beyond 24 hours, particularly if your tweet is related to current events.

- If you’ve made an error, take a short break to catch your breath. Then, calmly take responsibility, admit the error, apologize and move on. If you’re the CEO, go on social media yourself, even if the blame lies with an employee.

- You aren’t the first and you won’t be the last company or person to embarrass yourself on social media. I’ve accidentally tweeted DMs, celebrities fight it out with each other on Twitter , and there’s always Kanye to the rescue.

Any other rules for social media to share? Comment!


A troll by any other name…

I often scroll down after reading a news story to see what comments people have, despite better judgement. There is a script you can run to remove the comments from some more famous Canadian news sites, but some online publishers such as World of Warcraft and the New York Times have taken to forcing those who comment to use their real names.

By removing the protective shield of a user name, the person tempted to spew angry and inappropriate comments will think twice before posting anything under their real name.

Ya, you’d think.

Where I work, I help out the marketing department with their social media campaigns. This includes guiding the coordinators through posting messages on Facebook. In this experience, having a user’s real name isn’t stopping “fans” from making unnecessarily angry, shocking and downright racist comments regarding the posts. In this environment, we not only see their names, but can easily click through to their profiles and learn all about them. They must know we now know everything about them and this is terribly wrong, right?

On the other hand, our Twitter account rarely gets these types of angry comments. It’s a love fest on this forum – and strangely, this is the place where users rarely use their real name. Why the difference?  On Twitter, we’re re-tweeting and engaging in conversation with the users whenever we can. On Facebook, we simply don’t have the resources in place to engage in these conversations.

It would be an interesting study to see why people get so angry when posting comments online, and determine if it’s the environment that’s encouraging this behaviour.  Do you think we get more angry responses on Facebook because we’re not engaging in a conversation with them? Or does FB provide a better sounding board for everyone to see their comments?

Or… if the anonymous trick fails, should moderators evolve from removing offensive posts into spokespeople, challenging and ‘calling out’ those who are unnecessarily troll-like?


To listen to social media or not… Gap Logo

Clothier GAP changed its logo this week to much hulabuloo. Companies do this all the time, but this shift created a social media firestorm, mainly from people who seriously and loudly disliked the new look.

My favourite response has to be the parodies. One from Crap Logo, where you can Gap Logo yourself. Their Twitter account boastfully says they’re going to milk this for all its worth because it’ll be a memory after this weekend. The other from Gap Logo Twitter, with the tagline: I have feelings too, jerks.

Gap’s response? While they say they still like their redesigned logo, they’re using social media to say “Oh yeah? Why don’t YOU come up with something better?” Their Facebook page calls out to the public to create a new design, which according to Fast Company’s Co Design will be used as part of the Holiday advertising campaign. Information about their crowd sourcing project will be revealed in a few days.  Fast Company also has a great article on what happens when companies crowd source their design for the better, and when it raises the ire of professional designers.

I’m personally pleased to see sans-serif, and surprised by the passion everyone put into a logo… for The Gap. Then again, this same thing happened a year ago to Tropicana.

Was The Gap correct in its response on social media? If you ran a company where everyone hated the logo, what role would you allow social media to take? Would you immediately respond and hint at changing the logo (to possibly thousands of dollars wasted) or wait for the social maelstrom to die down?

UPDATE: So, it turns out The Gap felt social media was right and they were wrong. The company ditched its plans to ask its fans to create a new logo and instead, returned to the classic, serif-font look.


Publicity Stunt for $10 iPads Brings Out the Pitchforks

Today, a start-up company in Toronto called Fab Find decided to hold a sale for $10 iPads. It was an interesting way for the company to stand out amongst its many online coupon competitors such as Groupon. Unfortunately, this may have backfired.

Fab Find says 10 iPads were up for sale for $10, but talk on the very active Facebook group page suggests that number might be lower –  in the single digits. And those who did secure the $10 iPads aren’t owning up to their purchases – save for two: both from local media companies. The fact that few who wanted to could buy their $10 iPad while those who did appear to be from the ‘inside’ is a PR nightmare.

On top of that, the site kept breaking… or did it? Some Twitter comments suggested the site downtime was also part of the stunt as their staging server was working. Others are now contacting their server hosting company asking why there was downtime, making that company answer this PR game as well. Additionally, and for me most importantly, some people claimed to have entered in their credit card information only to be told the product was now sold out, raising sincere ethical questions.

Lots of people are claiming this stunt was a scam and as we all know, the loudest people on social media are those who complain. Between threats of sending this to the Better Business Bureau and claims of never shopping with them ever agin, FabFind.com is doing its best to respond – on Facebook and its Twitter account.

The fact is – I never heard about Fab Find until this sale… and their office is literally down the street from me. They’ll release their analytics tomorrow, but guaranteed they saw more traffic this morning than they have in the last month, at least. Anger about missing out on a $10 iPad may go away, but it’s their actions over the next few days that will speak to the long term success of this start-up. In fact, many of those people who are angrily leaving messages on their social media walls suggest there is wiggle room for Fab Find to make up for “misleading” their customers.

One great suggestion on Twitter – those who wished to buy an iPad for $10 may want to instead donate it to charity.


The Emmys – Secret Online Streaming and Rights

Last night, the Emmys were on… including illegal online streaming before NBC glommed onto the fact.

As each stream was shut down, users complained they hated the fact the live feeds were being removed, mostly spewing vitriol directly at the broadcaster. “Hey NBC,” they’d say. “We’re watching the commercials! What else do you want?!”

Good question. What else do we in the TV and digital entertainment media want? Why aren’t broadcasters streaming live video more often? It happened, and quite successfully, during the World Cup – which I can only assume helped slow piracy. Why not the Emmys? Well, it usually comes down to rights.

PaidContent.org wrote a great post about how NBC had great opportunities to turn winning clips from the show into potential viral videos. Within seconds of the opening sequence with Jimmy Fallon singing Born to Run with some cast members of Glee, Tina Fey and Jon Hamm, NBC should have posted the video up on You Tube to catch the viral wave. But they didn’t – seemingly because of their inability to secure online rights. The rights for the show were cleared for TV, but not for online.

Looking back, a similar thing happened this season with an episode of Glee, where a potentially embarrassing video of Sue Sylvester singing “Let’s Get Physical” gets viral at the fictional high school. Sadly, that clip wasn’t posted to You Tube for it to get viral in real-life. Another issue with rights clearances? Or was it an oversight to not include social media in the experience?

Granted, rights clearances are more complicated and resource heavy than most people would ever understand. But as a user posted, what else do we want?  For live events like awards shows or big finales, do we want to fight for online rights or do we want the fans to post our stuff online to share between themselves? What’s the solution?